The rise of a American actor : New York’s Franklin Livingston: Franklin Livingston received training in filmmaking and directing from New York University, and Yale University. Franklin then went on to study at a world-renowned institution, Guildhall School of Music and Drama, London, where he was trained in Shakespeare and contemporary acting. In addition to studying at institutions, Franklin got trained for 3 years in classical and modern singing by Melania Maldonado, Speech and Voice by Shane Ann Younts and Lenore Harris, and Acting for American Sitcoms by David Ross. Franklin is a trained dancer, he learned Latin and Ball Room Dances at various studios in NYC and Chicago, as well as Bollywood dances by Pooja Narang in New York City. Legendary dance teacher Saroj Khan trained Pooja. Discover even more details at Franklin Livingston actor.
Are Franklin Livingston’s actions absurd? One of the caveat Franklin shares is that many of these young actors that work with him assume Franklin, an idiot, who probably has no clue and doesn’t know what acting or filmmaking in Hollywood is made of! This is mostly because of his humble nature and polite behavior. Despite All this, Franklin remains unmovable. He says, “it doesn’t bother me. I know I am an extensively trained actor and highly intelligent human being.” Franklin enjoys seeing upcoming American actors working and developing their confidence to become someone like known Hollywood actors who can be viewed worldwide and on social media posts and stories.
Franklin is a thoroughly trained actor and filmmaker who completed an apprenticeship right out of high school in videography. Since he grew up in an artistic household, Franklin already had significant exposure to acting and singing. Later, he learned about cameras, light, sound, preparations to shoot, footage delivery, editing, mixing, and coloring. Franklin ended up acquiring formal training at New York University. From working with a myriad of diverse cinematographers and technicians, he has learned about various lenses, lights, cameras, and audio equipment which has helped him develop a great eye on the subject of digital storytelling.
Like someone that will put the needed effort in and behave like an actor both in the audition room and on the film set. Small acts of respect like turning the phone off before entering the audition room used to be a big indication of that, which is now lost in the “zoom room”. Then there is the emotional connection that you simply cannot make with your scene partner over zoom. So when we show up on set, it can produce some very dysfunctional results. Sometimes you will have very underprepared or undertrained actors that think all they need to do is recite their lines perfectly, but they have completely forgotten how to make that emotional, mental, physical, or spiritual connection with their scene partner(s) and get on moment-to-moment work to re-create a scene on set that they read on a piece of paper.
You are a person of great influence. If you could start a movement that would bring the most amount of good to the most amount of people, what would that be? You never know what your idea can trigger. 🙂 I have already begun a movement by bringing awareness and empathy though my work. My collaborators have mentioned that they have learned many things they did not know regarding politics, sociology, and anthropology of America and the world. I am helping create a voice for all-inclusive theater and film in the U.S.
Even still, most of these actors tend to be from India or other southeast Asian countries and not from Pakistan. Although Pakistan and India share some commonalities, their culture, language, human behaviors, and social etiquette make them distinctly different nations, which Hollywood has yet to present in its productions. This difference is not in contrast to those that the British and Americans have in terms of their anthropology. Countless people of color in the United States and a significant community of Pakistani immigrants in the United States have waited long to see themselves in Hollywood movies and television shows with a true representation. Franklin Livingston is ready to face this challenge, and that day is not far away when Franklin will tell stories about Pakistani Americans through his inimitable work in films and television.
Can you share the most interesting story that happened to you since you started this career? I hired an acting coach presuming that he was impressive because he was heavily connected with local television industry in New York. However, he would continually squander time talking trash, discussing my fees, and reminding me that because of my looks that I couldn’t possibly be the kind of actor I desired to be. One day he referred to an ethnic actor and said since he is ugly and a bit fat — that is why he got hired. He cautioned me that if I wanted to be fit and charming I still will not be hired because I could never live up to the American standards of good looks to be cast in any worthwhile projects. He told me light skin and light eyes are mandatory for popular lead roles and I had neither.
Taking possibilities to the next level: Recent updates on Franklin reveal that he started another company in the state of Connecticut, Oculus Films LLC. The company will also serve as an academy that empathizes with the aspiring actors’ busy schedules. Oculus is a unique acting technique that Franklin has developed. Unlike other training techniques that make American actors feel drained, exhausted, depressed, and in some cases become mentally ill, Oculus Acting Technique makes actors enjoy their presence with other actors and crew members. It also helps the actors create content in the moment in the light of the screenwriter’s content, develop a sincere connection with community members and leave the set happy, rejuvenated, and relaxed having a sense of being heard, respected, and encouraged.
