Watch top movies online for free? This one didn’t open theatrically, so once upon a time it probably wouldn’t have qualified for this list. But screw it, we live in extraordinary times — and besides, this atmospheric murder thriller set in a small New England fishing village is the kind of artfully mounted, suspenseful little charmer they don’t really make anymore, so it feels extra special. Two cash-strapped sisters, struggling to hold onto their house in the wake of their mom’s death, find themselves in the middle of what appears to be an elaborate, twisted conspiracy involving the town brothel and a gaggle of old-timers with some dark secrets. The central mystery itself is interesting, but the main attractions here are the colorful cast of characters and the compelling sense of place established by writer-directors Bridget Savage Cole and Danielle Krudy.
Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. In a countryside beset by an unknown plague, teenage Gretel (It’s Sophia Lillis) refuses to work as an old creepy man’s housekeeper, and is thus thrown out by her mother, forced to take her young brother Hansel (Sam Leakey) on a journey through the dark woods to a convent she has no interest in joining. Beset by hunger, the two come upon the home of a witch (Alice Krige), whose feasts are as mouth-watering as her magic lessons for Gretel are simultaneously empowering and unnerving. Perkins sticks relatively closely to his source material’s narrative while nonetheless reshaping it into a story about feminine might and autonomy, and the potential cost of acquiring both. Drenched in ageless, evil imagery (full of triangular pagan symbols, pointy-hatted silhouettes, and nocturnal mist), and boasting a trippiness that becomes hilariously literal at one point, Gretel & Hansel casts a spell that feels at once ancient and new.
A chronicle of greed, status, and vanity, Bad Education shares more than a few qualities with Martin Scorsese’s financial crimes epic The Wolf of Wall Street, the story of another Long Island striver with slicked-back hair. Trading the stock market for the public education system, director Cory Finley’s wry docudrama, which takes its inspiration from a wild New York Magazinefeature from 2004, charts the tragi-comic downfall of Roslyn School District superintendent Frank Tassone (Hugh Jackman), a charming and beloved administrator in a rising wealthy area. When his assistant superintendent Pam Gluckin (Allison Janey) gets caught allowing family members to make personal charges using the school’s credit cards, Frank’s world of healthy smoothies, expensive suits, and gleeful deception begins to unravel. Using a high school newspaper reporter as an audience surrogate (Geraldine Viswanathan), the script withholds key details of Frank’s life for large sections of the runtime, allowing Jackman to give a performance that gradually reveals new layers of emotional complexity and moral emptiness. Like the tweezers Frank uses to dutifully pluck his nose hairs, the movie takes a surgical approach to its subject. See extra info at watch movies online.
KMPlayer is another great and free Windows 10 media player that possesses the ability to play almost all mainstream video and audio files. As it has an inbuilt codec for Windows 10, the users don’t need to look for any different codec. To increase its compatibility even further, you can add external codecs. With the support for 3D, 4K, UHD support, the users can enjoy high definition videos on your devices. KMPlayer is also known for its wide range of support for formats. The users have lots of choices when it comes to audio and video effects which makes sure that you don’t feed the dearth of any feature or support. You can choose the parts of videos as favorites, make them repeat, remap the keys for remote interface, etc. You also get the feature of editing subtitles right inside the player. First released in 2002, KMPlayer free media player was acquired by a Korean streaming company Pandora TV in 2007.
Despair, desire, and madness are all entangled in Josephine Decker’s Shirley, about the late horror writer Shirley Jackson’s (Elisabeth Moss) attempt to pen her sophomore novel Hangsaman while dealing with her unfaithful critic/professor husband Stanley Edgar Hyman (Michael Stuhlbarg) as well as two boarders, aspiring academic Fred (Logan Lerman) and his pregnant wife Rose (Odessa Young). The director’s follow-up to Madeline’s Madeline is a psychosexual affair about lost women driven crazy by callous, self-serving men, and their resultant fears and needs. As with her acclaimed debut, Decker’s latest recounts its action through expressionistic visuals—smeary, off-center compositions; intense close-ups; dreamy interludes in which fantasy and reality blend together—and a score of jangly, strident strings, rumbling bass and thunderstorm crashes. As the famed author behind The Lottery and The Haunting of Hill House, Moss radiates ferocity and instability, and she’s matched by Stuhlbarg as the creepy, codependent Hyman. It’s Young, however, who holds the hothouse material together as the self-actualizing Rose, whose journey mirrors that of the missing girl Jackson is writing about, and who serves as the beating heart of this slyly furious film.
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