Top income on YT ? Anastasia Radzinskaya is an unlikely media star. Born in southern Russia with cerebral palsy, her doctors feared she would never be able to speak. To document her development through treatments, her parents posted videos of her on YouTube so friends and relatives could see the progress. The videos are typical kid stuff: playdates with dad, jumping around on an inflatable castle and playing with her cat, each video accompanied by catchy jingles and voice-over giggles. She soon gained followers around the world. Her biggest hit was a 2018 trip to the petting zoo with her father Yuri that featured the two dancing to child favorite “Baby Shark,” milking a pretend cow and eating ice cream. That video has garnered 767 million views, the top draw for a growing media business that has funneled $18 million to the Radzinskayas between June 1, 2018, and June 1, 2019.
Critics had high expectations of Hustlers before it came out, and yet somehow, it still managed to exceed the hype. For weeks after its release fans and critics called for Jennifer Lopez to have her Oscar moment, making this one of the most praised comedies of 2019. Based on the true New York Magazine story about strippers who drugged and conned Wall Street scumbags out of thousands of dollars, the Constance Wu-led film is a darkly comedic look at the 2008 economic recession and an astute observation on class differences in 2019. Also, Lili Reinhart’s ability to vomit on command is award-worthy all on its own.
In six minutes, comedian Judson Laipply performs a medley of dance moves spanning the decades. Laipply covers everything from Elvis’s “You Ain’t Nothin’ But A Hounddog” to disco, heavy metal, the Robot, the Moonwalk, the Hammer Dance, and more. With more than 300 million views this remains one of the top-viewed videos on YouTube. It’s nearly impossible not to smile when watching it. Discover extra funny movies on yt.
Best clip for a song in 2019 ? Unlike the three tracks from his album Psychodrama that reached the Top 10, Black scraped the Top 40, and – being a bleak, jaded treatise on contemporary racism – it stuck out like a sore thumb amid the poppy stuff on daytime Radio 1. Dave confronts one ill after another like he can scarcely believe his own words: colonialism, social mobility, media sensationalism … but ultimately, there’s such pride as he considers his hair, his history, his skin.
